It's been on my mind, in the back of it somewhere, to write a really cheesy romance taking place in the Highlands of Scotland for the purposes of saying I wrote a Highland romance ("Of Kilted Pleasure"). I did write a Scottish romance with some Highland overtones, but it wasn't the same thing. It wasn't a loose-lipped, fancy-pants sort of roll in the hay sort of book. It wasn't worthless and without a plot. In fact, it had a rather intricate plot. The new book, "Cheeky!", will be the book I have set in my mind to write with absolute abandon.
I say absolute...I will have to pull back a little. I won't let it get too raunchy. It may be ranchy!! I will have a plethora of Highland coo in the book! They will be there in all their rust and golden-haired glory. I can't write a Highland romance without them - or at least I shouldn't, and I won't. Every Higland romance deserves to have big, fat, fluffy, horned beauty-beasts in it. It's going to be fun to write.
I've decided to let the AI write the entire book, but at my instruction. I'm going to give it strict and precise details. In fact, my details will take about 15 regular pages to tell the thing what I want the book to be about. I'll ask it to include warm, cozy, sexy dialogue, and there will be a plot of some sort, albeit it won't be very strong. I have it in mind already, I won't give it away now, but it is funny, and it is flimsy, and it is fabulously worthless. I think it will be wonderful. I can't wait to read it.
Actually, I'll have to do a lot more than just read it. I will have to put quotes around the things I don't like, remove what I don't like, add what I didn't include, and correct the spacing and some of the grammar. It isn't as hands-off as I may have made it seem. There are a lot of things the AI gets right, and a lot of things I have to edit or change completely. It's a fun process, and one I think I'll use from this point forward, because the AI uses my style of writing to write. It copies my style, writing patterns, sentax and use of language. It comes up with stuff I would have said, but it often says it in a more fluid way. If I had to say one thing about it that is different than me writing it all out, it would be that the machine can write it faster - and more fluid.
Because I've put the romance book off for as long as I have, I have 1000 ideas that I think must go into the book. I'm adding my real-life supervisor to it; she's excited about it. I've asked her if she wants to be a good girl or a bad girl - she said somewhere in the middle. Won't that be fun? I've decided to have her be guilty of writing checks she knew she couldn't cover, and she flees to Scotland until the heat dies down. She'll find herself mixed up in a somewhat shady business deal, and it leads to a rather profitable venture.
The premise of the book is simple: An American woman (not my supervisor, she's a lesser character) decides to go to Scotland to experience the whole big bearded men in kilts pumping bagpipes, throwing logs, and thumping their chest while dancing at the castle with her, and sweeping her off her feet for at least a couple of weeks. She realizes a bit too late, however, that the 14th and 15th century Scotland isn't the same as the modern one - but she won't be cheated just because 600 years of history has been erased and everyone she sees in the Highlands drinks from insulated cups, drives cars, and hasn't the slightest interest in fulfilling the lusts of an idiot American tourist.
Bindy Vance, the lead character, is a woman of means. She does exactly what she wants, when she wants, because she wants, and if money is needed, she has it to spare. There will be shendig, there will be castles, there will be bagpipes, but most importantly, there will be half-naked, big, brawny, bearded men in kilts...everywhere! That's the plot -- in a nutshell --, and I think it's a good one. It may fall flat, but at least I'll still have fun writing it, reading it, working it, editing it, and sharing it. I never write to sell the books -- I write to write.

